aston microphones review

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November 29th, 2020

No doubt the waveguide helps in this respect, as it welcomes the direct dry sound while ignoring spurious surrounding sound. Review: Aston Microphones Stealth Aston’s latest microphone is a versatile dynamic. It has the delicacy and detail of a condenser along with the high sound-pressure level handling capabilities of a rugged dynamic design, all of which means you can use it close to loud electric guitar amplifiers and drum kits, as well as softer instruments. When is a condenser microphone not a condenser microphone? It’s firm low-end brings out the best in tom and if you don’t have a kick-drum mic, the Element can deal with that too. Please refresh the page and try again. Aston Microphones is known for making quality microphones and mic accessories. The name is derived from the Element’s performance, said to offer the transient response of a ribbon along with the detail of a condenser and the punch of a dynamic. Bath Something new this way comes. That said, this is not a particularly heavy microphone and will be happy on the end of a standard boom stand over a drum kit. Contact Aston Microphones. Shure’s popular SM7B is possibly the closest in character but it’s more than twice the price and lacks the Element’s extreme top extension. The mic’s low-cost high performance is the result of 18 months of development and deliberation by Aston head honcho James Young and chief designer Trevor Szynk in tandem with more than 4,000 customers invited to comment on the mic’s character. You do get a cool backlit LED logo that glows purple to show that phantom power has been engaged though. The Origin possesses a sensitivity that easily renders the detail of harmonically rich instruments, such as saxophone and acoustic guitar, with a balanced ease free from audible phase shift issues and early HF peaks (you know, that 'brittle' thing). The Aston Origin may be competitively priced, but it possesses a degree of originality that is uncommon in this range. What followed was an unprecedented three-month peer-reviewed public blind-listening test period, during which more than 4,000 Aston customers auditioned audio files of recordings made with early versions of the Element alongside mics from some of Aston’s competitors – including AKG, Audio Technica, Blue, Neumann and Rode – and ranked them in order of preference. The mic is also a natural choice for recording overdriven sounds, particularly if you want to get a … The Aston Origin is the most true sounding large condenser microphone I've used in this price range and even double the price. But this mic is a true all-rounder too. This is without a doubt the most noise-free mic we’ve ever tested, and that covers a wide spectrum. Aston Microphones Origin review A UK-made microphone with change from £200 £199; By Robbie Stamp 07 March 2016. With regards to multi-mic’ing drum kits, the Element sounds both fat and fast as a spot mic on top of the snare drum, providing a weightier character than a Shure SM57. Future Publishing Limited Quay House, The Ambury, We were impressed with how the cooling system on the recently reviewed Golden Age GA-800G valve mic reduced noise, making it possibly the quietest valve mic on the market. Buyers' guides to all the best music gear, 11 best studio headphones 2020: recommended headphones for music production, 11 best laptops for music production 2020: portable computers for musicians, producers and DJs, The best studio monitors 2020: 10 affordable to high-end studio speakers for musicians and producers, The 12 best audio interfaces 2020: top audio interfaces for music-making and production, Free music samples: download loops, hits and multis from SampleRadar. This waveguide, then, is merely one example of something that the dilligent Aston customers were right about. Best Studio Monitoring Headphones Reviews Clean electric guitar comes out sounding full with the Aston Origin, with an emphasis on the mids and highs. It was noted during the side-by-side test that, while the £3,600 valve mic’s sound is more expansive (as well as being more expensive) than the Element’s, the more affordable Aston has a tighter focus. Thank you for signing up to Musicradar. We find out why 10 Grammy Award-winning producers are endorsing a pair of wireless earbuds. Close up the proximity effect doesn't get boomy and misbalanced; the low-end characteristic is pleasing, rendering the source with little tonal alteration beyond the basic physics of proximity. Waveguides are a common feature of many modern monitors but this is the first mic we’ve encountered that harnesses this technology. This is our newly crowned microphone of choice for floor toms. This is not a characterful mic, or what we think of as an additive tool; on nearly all sources the Origin is a clear and able translator. BA1 1UA. With one of the most democratic R&D processes we’ve ever seen, There are two switches on the stainless steel casing: 10dB pad and 80Hz low-cut filter. We'd recommend sourcing a shockmount cradle that can accommodate the mic's 54mm diameter, though many situations will be fine with direct stand mounting. Coming top in our recent small-diaphragm condenser shootout, the SE8 offers Class A circuitry along with two levels of attenuation padding and two low-cut filters at 80Hz But there’s the rub: the proviso there is “quiet for a valve mic”. Although Aston Microphones are a new company, the people behind the brand have no shortage of experience in this market. So, what does the Origin sound like? Overall, however, the best microphone for recording is the one that achieves what you want it to achieve. We are consistently impressed with the Element’s performance on a variety of audio sources. The mic comes with its own bespoke pop filter and shockmount. When it’s the latest inconceivably designed creation to spring forth from within Aston’s Hertfordshire-based headquarters. Lets try this in untested waters! Some electronica producers might only need a mic for recording vocals and therefore opt for a condenser type. Throughout this review period, we are consistently impressed with the Element’s performance on a variety of audio sources. Sarah Schachner and Jesper Kyd on how they mixed modern techniques with ancient instruments for Assassin’s Creed Valhalla. The Element is practically silent in operation even when fed huge amounts of (clean) gain. The Stealth by Aston Microphones is a meticulously crafted masterpiece of a microphone, but it is not for everyone. Boosting at 15kHz adds a wonderful halo of air and shows clearly how the Element’s clean and extended top end responds beautifully to extreme high-end enhancement. Taking customers’ opinions on board, Aston fine-tuned the sonic character of Element until it emerged at the top of all the side-by-side shootouts. Again, the Origin does well with a respectably low noise floor, and one that sounds more brown noise than white, ie a cranked up, super-breathy vocal EQ won't immediately drown in hiss. Likewise, we love the clarity and accuracy of the AKG C636. Much new technology was developed in Element’s construction process, not least of It has a nice, clean top end to it – really pleasing to the ear. If you only ever own one microphone, it’s important that it’s able to cover all or at least most of your recording requirements. The Aston Microphones Origin continues to impress. Element is a fixed-cardioid moving-coil design but, unlike standard dynamic microphones, the Element requires 48v phantom power. It simply picks up and reproduces vocals and instruments as I hear them with my ears. We head to South Fremantle, Australia, to check the vibe of the young indie-electronic producer's creative space. The Element arrived just as we were about to record some vocals in the band’s own studio, this writer’s regular review studio Invada having been block-booked for a lengthy socially distanced mixing session.

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