how to set up parallel compression

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November 29th, 2020

Parallel effects, parallel saturation, parallel EQ… anything really! As always a detailed explanation with lots of helpful assets and link to other techniques. Let's explore the basic concept of parallel compression and how to set it up in your DAW. Want your mixes to sound full and more controlled? Without self-promoting too much – I hope! But use a Split Parallel Channel which processes Highs and Lows differently. Muting and unmuting like this should help you figure out if the changes you’ve made are an improvement. When done well, this can add thickness and character to a mix. But then when the vocal drops out, the compressor stops clamping down as much – because the vocal is generally the loudest part of a mix. If it’s louder than it used to be, turn it back down. Turn up the send’s volume and you should have two different tracks playing the same sound! Then, you’ll want to create an “aux channel” in your DAW. What if I told you that you can make radio-ready music at home, even if you’re new to mixing? So go and check it out now. Want your mixes to sound pro? Here are some solid settings to start with. Great tips on using parallel compression, and explained in a very easy to understand way. Audio professional, musician and founder of Musician on a Mission. You’ll no longer feel confused and overwhelmed by the recording and mixing process. 15 Best Amp Simulators of 2020 (Most Realistic Amp Sims), How to Mix Vocals: The Definitive Guide [15 Steps], Vocal Compression: Learn How to Mix Like the Pros, Gain Staging: 9 Tips to Supercharge Your Mix, The Best Vocal Plugins of 2020 (No Matter Your Budget), How to Use EQ: 10 Amazing Tips for a Professional Mix, How to Use a Compressor: The Easy to Follow Guide, How To EQ Vocals: 5 Steps to Professional Vocals, Home Recording Studio Setup [8 Essentials You REALLY Need], The 3 Types of Microphones You NEED to Know. If you aren’t careful, compression can make your instruments sound over-processed and flat. It also helps if the release is timed to the song’s tempo. Sometimes it works better than direct compression. His music has been used in countless films and television series and he has mixed records for hundreds of artists the world over. Just turning the fader down will also cause your compressor to compress less. Vocals that sound compressed, adding excitement and aggression. In this complete guide, I’m going to teach 9 para. Learn how to use your time more efficiently in this free training video. In other words, if you want to bring out the low end of a kick drum, put a high-pas… Thanks a bunch and big upon yourself. Something below 2 ms. Want your mixes to sound full and more controlled? I will definitely be putting these new tips to work in my mixes. I use this technique lots!!! How to Master a Song at Home (in 14 Easy Steps), Hack #1: Natural Sounding Dynamic Control, Hack #2: Beef Up Your Tone with Aggressive Compression, One Last Tip: Make Any Instrument Sound Great in the Mix, https://babyaud.io/i-heart-ny-parallel-compression-plugin. The settings you’d choose to glue tracks together are totally different than the ones you’d use for dynamic control. This knob lets you mix in as much of the compressed signal as you want. Well… Still, try sending a small amount of overhead. So thanks for posting this, I’m more of an image maker but this kind of technique makes a lot of sense to me. So, if you want a shortcut to pro-quality mixes, watch this free masterclass now: Before we continue… I’m guessing you’re here because you want to make music that sounds professional. View all posts by this author. With this new approach, you’ll know exactly where to spend your time and energy. Just turn the knob up a little bit until it’s sounding the way you want. It is the first time I come across this technique after mixing in D.A.Ws since 2002. Just like you do here, you put a duplicate of the photo ontop of the original and use different overlay settings that can make a photo brighter or darker, reverse the colors, subtract a color and a host of other effects. For subtle compression you’ll want 3-5 dB’s of gain reduction. Learn how to make radio-ready music at home… without wasting hundreds of hours on YouTube. If you aren’t careful, compression can make your instruments sound over-processed and flat.

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