se electronics z5600a ii specs

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November 29th, 2020

In the nicely packaged case you get everything you need to get going. At around half the cost of a Gemini II, the multi-pattern capability of the Z5600a II makes it rather more versatile, but it doesn't have the unique Gemini II timbre. SE Electronics Z5600a II Multi-Pattern Tube Condenser Microphone. PreSonus StudioLive 32SC Series III Mixing Console. learn more. The Z5600a II kit includes shockmount, power supply, cable and separate wooden microphone box, all inside a larger carry-case. The rotary pattern-control switch is located on the PSU alongside the eight-pin mic connector and the three-pin XLR balanced output feed. Housed in a similarly chunky 80mm x 230mm body, the Gemini II again features dual tubes, this time a 12AX7 for the input stage and a further 12AU7 in the output stage; the latter takes over the role of the more usual transformer. Is there a 'right way up' to mount a mic? Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. Brand: SE Electronics Model: Z5600a II An upgraded version of the earlier Z5600a. SE Electronics Gemini II & Z5600a II Gemini: The Return. The Z5600a II kit includes shockmount, power supply, cable and separate wooden microphone box, all inside a larger carry-case. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. SE have updated their Gemini and multi-pattern Z5600a mics with extra facilities and better technical specs. Turning to the Z5600a II, If you're in the market for one of these the Rode K2 is also worth a look. Photo: SE Electronics / Mark Ewing … If you were thinking of buying a Gemini II as a main vocal mic for your own use, you'd need to make sure it suited the character of your voice, as you would with any microphone, but for anyone who already has one or two conventional solid-state and tube microphones the Gemini provides a distinctive tonal alternative and thus would be worth adding to a collection. Are they worthy contenders for space in your mic locker? Why Are Some A-B Stereo Arrays Angled Outwards? Q. As I mentioned above, the transformerless design would appear to combine the most recognisable attributes of tube and solid-state microphones, providing the expected tube warmth and low-end weight but without losing the high-end sizzle, as can happen with 'tube plus transformer' designs. Gemini II £899 ; Z5600a II £449. $585 + $30 Shipping. You get the microphone itself, and a phantom power supply to run it, a decent shock mount that's custom built to fit the Z5600A… Listed: 2 months ago: Condition: Good (Used) Good condition items function properly but may exhibit some wear and tear. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. You may recall that the first Gemini mic used two dual-triode tubes, hence its impressive girth. Because the presence peak is right up at 10kHz there's no tendency to over-emphasise the harsher upper-mid range, though singers wanting a slightly more rounded top end may want to try using the mic slightly off-axis to soften the tone. The Gemini II has a 20Hz-20kHz frequency range, but with a gentle hump up at around 10kHz to add an airy presence to the sound. Distinctive tonality that is both warm and airy. Microphone Specifications All three versions have been multipattern tube mics, but improvements to the circuitry and power supply have improved the noise and sensitivity specs. All the components are discrete and appear to be of high quality, and the standard of workmanship is impressively high. www.soundonsound.com/sos/jun04/articles/segemini.htm, www.soundonsound.com/sos/May03/articles/sez5600.asp, Win! It certainly offers good value, and even if you feel a cardioid-pattern mic is all you really need, those additional patterns may well come in useful from time to time. The Z5600a-II is the third-generation release of sE’s 5600 microphone, originally released as the Z5600 in 2003. First Look: Pro Tools | Carbon. You may recall that the first Gemini mic used two dual-triode tubes, hence its impressive girth. The Z5600a II: a thick, rich tube mic that will flatter any source. There are no transistors or FETs that I could see, so this appears to be a true all-tube design. What is a "hybrid" audio interface anyway? In general, the physical construction of the basket and housing (and the shockmount, in this case) is similar to that employed in the Gemini II and other recent SE models, and comes across as very solid and sensibly engineered. The Z5600a II's frequency response is specified as 20Hz-20kHz, with a sensitivity of 14.1mV/Pa (0dB=1V/Pa 1000Hz). The Z5600a II large-diaphragm condenser... “Ive been using the Z5600a II on every single client since 2007. All rights reserved. The electronics are tube-based. I did, however, notice that the basket assembly of the mic resonates at quite a low frequency if tapped, resulting in a very audible rumble. Unlike the Geminis, however, the Z5600a II is a multi-pattern microphone offering nine pattern variations, going from omni, via cardioid, to figure-of-eight. The Gemini II comes similarly packaged.Photo: SE Electronics / Mark EwingAs the microphone offers multiple patterns, it is equipped with a dual-diaphragm capsule (back-to-back cardioids), again 1.07 inches in diameter and centre terminated. The Gemini II is predictably weighty, so it would benefit from a substantial stand to avoid toppling. In figure-of-eight mode, the sound is closer to what you'd expect from the cardioid pattern than the omni. Web site designed & maintained by PB Associates & SOS. The diaphragm is gold-sputtered, 1.08'. The Z5600a II. Mastering Essentials Part 3 - How loud should I master? Photo: SE Electronics / Mark EwingSE's original fixed-cardioid-pattern Gemini microphone (reviewed in SOS June 2004, www.soundonsound.com/sos/jun04/articles/segemini.htm) broke with tradition by offering tube technology in a transformerless circuit, resulting in a microphone that combined the warmth of a tube mic with the airy top end of a solid-state, transformerless model. The Z5600a II kit includes shockmount, power supply, cable and separate wooden microphone box, all inside a larger carry-case. A switchable 10dB pad has been added to the new mic, along with a switchable low-cut filter, and the included PSU is SE's new updated design, with a chunky, brushed-aluminium case and improved electronics for lower noise. Brand: SE Electronics Model: Z5600a II An upgraded version of the earlier Z5600a. 30-day modular deep dive/writing challenge, The All-New Behringer Keyboards 'n' Stuff Thread. Like its predecessor, the Gemini II boasts twin valves, one for the input stage and one for the output stage, which can clearly be seen through the mic's case. Learn more. In accordance with the laws of physics, both the cardioid and figure-of-eight modes exhibit a proximity effect that exaggerates the low end when used close up, which the omni mode does not. That's just what the Gemini aimed to do, and SE have now updated the concept with a new version, which I'm looking at here alongside another SE tube-mic update, the Z5600a II (first reviewed in SOS in May 2003; www.soundonsound.com/sos/May03/articles/sez5600.asp). Improvements to the PSU and internal circuitry have lowered the self-noise to a creditable 12dB A-weighted, while the maximum SPL for 0.5 percent THD@1000Hz is now 135dB. As far as I can tell, this revision uses a similar 1.07-inch, gold-sputtered, centre-terminated, cardioid capsule to its predecessor, mounted inside a large, dual-layer mesh basket on a shock-absorbing support. This particular PSU features no controls other than a power switch, and aside from the IEC mains inlet there's just the eight-pin XLR to connect to the mic and a conventional three-pin balanced XLR output. The shockmount itself follows the familiar metal-cage construction, with fabric-covered elastic hoops supporting and isolating the inner section. Its maximum SPL for 0.5 percent THD@1000Hz is 135dB, some 5dB better than the Gemini I, and the output impedance is the same nominal 200Ω. sE Electronics Z5600a II Mutipattern Tube Condenser Microphone. Like its predecessor, the Gemini II boasts twin valves, one for the input stage and one for the output stage, which can clearly be seen through the mic's case.Photo: SE Electronics / Mark EwingSubjectively, this Mk II version sounds quite similar to the original Gemini, which is a good thing, as I know a lot of users really like the Gemini sound. As low as $52/month with. However, the capsule has a broad presence peak rising towards 10kHz, so this isn't a dull-sounding tube mic. The Gemini II comes similarly packaged. A screw-locking (both ends) eight-pin cable is included with the kit, along with the shockmount and PSU. Tech Talk. LIke the Gemini II, -10dB pad and LF roll-off switches have been added since the last version. It's unusual to find a transformerless tube mic such as the Gemini II, and the only other company I can think of that make one are CAD, whose less costly M9 employs solid-state output components in place of the second tube the Gemini uses at the output stage.

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